That post title is the real name of a museum in Guatemala City, so naturally I had to find it. Not surprisingly perhaps, it was a little difficult to track down, requiring a confusing ride on a murder bus followed by an amending overpriced taxi (hard to bargain when you don't know where you are) that, to the driver's credit, included him jumping out for directions to locate the joint. They were closing, but relented, proceeding to struggle to open the gate and subsequently handing me the key to open it from the outside. (How were they going to ever leave if I hadn't come?)
I was granted the speed tour by the ancient little old lady who lords (ladies?) over the small museum. When I stopped to take pictures, she just kept going, clearly not giving up her evening plans for this gringo. As the photos reveal, the museum showcases early musical devices of all sorts including gramophones, player pianos, and a lot of things I don't know the names for (Wardo?!)
The little old leader soon passed me off to her young protege, a fresh faced local boy of probably 16 years who eagerly continued the tour, first worrying me by showing off a room of clocks that seriously threatened the curiosity quotient, then recovering wonderfully by leading to another floor with all the good old gear, like the early Edison cylinder players.
Best of all, he flashed an impish grin and began cranking up any machine that still survived, blazing out a variety of cacophonous melodies and some sweet ones including some delightful circus music. He told me the bosses don't let him run them all, but it was after hours and they'd already split. Another overlooked joy of the third world.
Check out the guts of the wildest one I heard that had keys, xylophone, drum, cymbal, and some kind of pump organ for which I could find no visible source.